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Jeremias
Jeremias lived at the close of the seventh and in the first part of the sixth
century before Christ; a contemporary of Draco and Solon of Athens. In the year
627, during the reign of Josias, he was called at a youthful age to be a prophet,
and for nearly half a century, at least from 627 to 585, he bore the burden of
the prophetic office. He belonged to a priestly (not a high-priestly) family of
Anathoth, a small country town northeast of Jerusalem now called Anatâ; but he
seems never to have performed priestly duties at the temple. The scenes of his
prophetic activity were, for a short time, his native town, for the greater part
of his life, the metropolis Jerusalem, and, for a time after the fall of
Jerusalem, Masphath (Jer., xl, 6) and the Jewish colonies of the Dispersion in
Egypt (Jer., xliii, 6 sqq.). His name has received varying etymological
interpretations (Lofty is Jahwah
or Jahweh founds
); it appears also as the
name of other persons in the Old Testament. Sources for the history of his life
and times are, first, the book of prophecies bearing his name, and, second, the
Books of Kings and of Paralipomenon (Chronicles). It is only when taken in
connection with the history of his times that the external course of his life,
the individuality of his nature, and the ruling theme of his discourses can be
understood.
I. PERIOD OF JEREMIAS
The last years of the seventh century and the first decades of the sixth
brought with them a series of political catastrophes which completely changed
national conditions in Western Asia. The overthrow of the Assyrian Empire, which
was completed in 606 by the conquest of Ninive, induced Nechao II of Egypt to
attempt, with the aid of a large army, to strike a crushing blow at the ancient
enemy on the Euphrates. Palestine was in the direct route between the great
powers of the world of that era on the Euphrates and the Nile, and the Jewish
nation was roused to action by the march of the Egyptian army through its
territory. Josias, the last descendent of David, had begun in Jerusalem a moral
and religious reformation in the ways of David
, the carrying out of which,
however, was frustrated by the lethargy of the people and the foreign policy of
the king. The attempt of Josias to check the advance of the Egyptians cost him
his life at the battle of Mageddo, 608. Four years later, Nechao, the conqueror
at Mageddo, was slain by Nabuchodonosor at Carchemish on the Euphrates. From
that time Nabuchodonosor's eyes were fixed on Jerusalem. The last, shadowy kings
upon the throne of David, the three sons of Josias-Joachaz, Joakim, and
Sedecias - hastened the destruction of the kingdom by their unsuccessful foreign
policy and their anti-religious or, at least, weak internal policy. Both Joakim
and Sedecias, in spite of the warnings of the prophet Jeremias, allowed
themselves to be misled by the war party in the nation into refusing to pay the
tribute to the King of Babylon. The king's revenge followed quickly upon the
rebellion. In the second great expedition Jerusalem was conquered (586) and
destroyed after a siege of eighteen months, which was only interrupted by the
battle with the Egyptian army of relief. The Lord cast aside his footstool in
the day of his wrath and sent Juda into the Babylonian Captivity.
This is the historical background to the lifework of the Prophet Jeremias: in foreign policy an era of lost battles and other events preparatory to the great catastrophe; in the inner life of the people an era of unsuccessful attempts at reformation, and the appearance of fanatical parties such as generally accompany the last days of a declining kingdom. While the kings from the Nile and the Euphrates alternately laid the sword on the neck of the Daughter of Sion, the leaders of the nation, the kings and priests, became more and more involved in party schemes; a Sion party, led by false prophets, deluded itself by the superstitious belief that the temple of Jahweh was the unfailing talisman of the capital; a fanatically foolhardy war party wanted to organize a resistance to the utmost against the great powers of the world; a Nile party looked to the Egyptians for the salvation of the country, and incited opposition to the Babylonian lordship. Carried away by human politics, the people of Sion forgot its religion, the national trust in God, and wished to fix the day and hour of its redemption according to its own will. Over all these factions the cup of the wine of wrath gradually grew full, to be finally poured from seven vessels during the Babylonian Exile laid upon the nation of the Prophets.
II. MISSION OF JEREMIAS
In the midst of the confusion of a godless policy of despair at the approach
of destruction, the prophet of Anathoth stood as a pillar of iron, and a wall
of brass
. The prophet of the eleventh hour, he had the hard mission, on the eve
of the great catastrophe of Sion, of proclaiming the decree of God that in the
near future the city and temple should be overthrown. From the time of his first
calling in vision to the prophetic office, he saw the rod of correction in the
hand of God, he heard the word that the Lord would watch over the execution of
His decree (i, 11 sq.). That Jerusalem would be destroyed was the constant
assertion, the ceterum censeo of the Cato of Anathoth. He appeared before the
people with chains about his neck (cf. xxvii, xxviii) in order to give a drastic
illustration of the captivity and chains which he foretold. The false prophets
preached only of freedom and victory, but the Lord said: A liberty for you to
the sword, to the pestilence, and to the famine
(xxxiv, 17). It was so clear to
him that the next generation would be involved in the overthrow of the kingdom
that he renounced marriage and the founding of a family for himself (xvi, 104),
because he did not wish to have children who would surely be the victims of the
sword or become the slaves of the Babylonians. His celibacy was consequently a
declaration of his faith in the revelation granted him of the destruction of the
city. Jeremias is thus the Biblical and historical counterpart of Cassandra in
the Homeric poems, who foresaw the fall of Troy, but found no credence in her
own house, yet was so strong in her conviction that she renounced marriage and
all the joys of life.
Along with this first task, to prove the certainty of the catastrophe of 586,
Jeremias had the second commission to declare that this catastrophe was a moral
necessity, to proclaim it in the ears of the people as the inevitable result of
the moral guilt since the days of Manasses (IV Kings, xxi, 10-15); in a word, to
set forth the Babylonian Captivity as a moral, not merely a historical, fact. It
was only because the stubborn nation had thrown off the yoke of the Lord (Jer.,
ii, 20) that it must bow its neck under the yoke of the Babylonians. In order to
arouse the nation from its moral lethargy, and to make moral preparation for the
day of the Lord, the sermons of the preacher of repentance of Anathoth
emphasized this causal connection between punishment and guilt, until it became
monotonous. Although he failed to convert the people, and thus to turn aside
entirely the calamity from Jerusalem, nevertheless the word of the Lord in his
mouth became, for some, a hammer that broke their stony hearts to repentance
(xxiii, 29). Thus, Jeremias had not only to root up, and to pull down
, he had
also in the positive work of salvation to build, and to plant
(i, 10). These
latter aims of the penitential discourses of Jeremias make plain why the
religious and moral conditions of the time are all painted in the same dark tone:
the priests do not inquire after Jahweh; the leaders of the people themselves
wander in strange paths; the prophets prophesy in the name of Baal; Juda has
become the meeting-place of strange gods; the people have forsaken the fountain
of living water and have provoked the Lord to anger by idolatry and the worship
of high places, by the sacrifice of children, desecration of the Sabbath, and by
false weights. This severity in the discourses of Jeremias makes them the most
striking type of prophetic declamation against sin. One well-known hypothesis
ascribes to Jeremias also the authorship of the Books of Kings. In reality the
thought forming the philosophical basis of the Books of Kings and the conception
underlying the speeches of Jeremias complement each other, inasmuch as the fall
of the kingdom is traced back in the one to the guilt of the kings, and in the
other to the people's participation in this guilt.
III. LIFE OF JEREMIAS
A far more exact picture of the life of Jeremias has been preserved than of
the life of any other seer of Sion. It was an unbroken chain of steadily growing
outward and inward difficulties, a genuine Jeremiad
. On account of the
prophecies, his life was no longer safe among his fellow-citizens of Anathoth
(xi, 21 sqq.), and of no teacher did the saying prove truer that a prophet hath
no honour in his own country
. When he transferred his residence from Anathoth
to Jerusalem his troubles increased, and in the capital of the kingdom he was
doomed to learn by corporal suffering that veritas parit odium (truth draws
hatred upon itself). King Joakim could never forgive the prophet for threatening
him with punishment on account of his unscrupulous mania for building and for
his judicial murders: He shall be buried with the burial of an ass
(xxii,
13-19). When the prophecies of Jeremias were read before the king, he fell into
such a rage that he threw the roll into the fire and commanded the arrest of the
prophet (xxxvi, 21-26). Then the word of the Lord came to Jerermias to let
Baruch the scribe write again his words (xxxvi, 27-32). More than once the
prophet was in prison and in chains without the word of the Lord being silenced
(xxxvi, 5 sqq.); more than once he seemed, in human judgment, doomed to death,
but, like a wall of brass, the word of the Almighty was the protection of his
life: Be not afraid … they shall not prevail: for I am with thee, saith the
Lord, to deliver thee
(i, 17-19). The religious opinion he maintained, that
only by a moral change could a catastrophe in outward conditions prepare the way
for improvement, brought him into bitter conflict with the political parties of
the nation. The Sion party, with its superstitious confidence in the temple (vii,
4), incited the people to open revolt against Jeremias, because, at the gate and
in the outer court of the temple, he prophesied the fate of the holy place in
Silo for the house of the Lord; and the prophet was in great danger of violent
death at the hands of the Sionists (xxvi; cf. vii). The party friendly to Egypt
cursed him because he condemned the coalition with Egypt, and presented to the
King of Egypt also the cup of the wine of wrath (xxv, 17-19); they also hated
him because, during the siege of Jerusalem, he declared, before the event, that
the hopes placed on an Egyptian army of relief were delusive (xxxvi, 5-9). The
party of noisy patriots calumniated Jeremias as a morose pessimist (cf. xxvii,
xxviii), because they had allowed themselves to be deceived as to the
seriousness of the crisis by the flattering words of Hananias of Gabaon and his
companions, and dreamed of freedom and peace while exile and war were already
approaching the gates of the city. The exhortation of the prophet to accept the
inevitable, and to choose voluntary submission as a lesser evil than a hopeless
struggle, was interpreted by the war party as a lack of patriotism. Even at the
present day, some commentators wish to regard Jeremias as a traitor to his
country - Jeremias, who was the best friend of his brethren and of the people of
Israel (II Mach. xv, 14), so deeply did he feel the weal and woe of his native
land. Thus was Jeremias loaded with the curses of all parties as the scapegoat
of the blinded nation. During the siege of Jerusalem he was once more condemned
to death and thrown into a miry dungeon; this time a foreigner rescued him from
certain death (xxxvii-xxxix).
Still more violent than these outward battles were the conflicts in the soul
of the prophet. Being in full sympathy with the national sentiment, he felt that
his own fate was bound up with that of the nation; hence the hard mission of
announcing to the people the sentence of death affected him deeply; hence his
opposition to accepting this commission (i, 6). With all the resources of
prophetic rhetoric he sought to bring back the people to the old paths
(vi,
16), but in this endeavour he felt as though he were trying to effect that the
Ethopian change his skin, or the leopard his spots
(xiii, 23). He heard the
sins of his people crying to heaven for vengeance, and forcibly expresses his
approval of the judgment pronounced upon the blood-stained city (cf. vi). The
next moment, however, he prays the Lord to let the cup pass from Jerusalem, and
wrestles like Jacob with God for a blessing upon Sion. The grandeur of soul of
the great sufferer appears most plainly in the fervid prayers for his people (cf.
especially xiv, 7-9, 19-22), which were often offered directly after a fiery
declaration of coming punishment. He knows that with the fall of Jerusalem the
place that was the scene of revelation and salvation will be destroyed.
Nevertheless, at the grave of the religious hopes of Israel, he still has the
expectation that the Lord, notwithstanding all that has happened, will bring His
promises to pass for the sake of His name. The Lord thinks thoughts of peace,
and not of affliction
, and will let Himself be found of those who seek (xxix,
10-14). As He watched to destroy, so will He likewise watch to build up (xxxi,
28). The prophetic gift does not appear with equal clearness in the life of any
other prophet as alike a psychological problem and a personal task. His bitter
outward and inward experiences give the speeches of Jeremias a strongly personal
tone. More than once this man of iron seems in danger of losing his spiritual
balance. He calls down punishment from heaven upon his enemies (cf. xii, 3;
xviii, 23). Like a Job among the prophets, he curses the day of his birth (xv,
10; xx, 14-18); he would like to arise, go hence, and preach instead to the
stones in the wilderness: Who will give me in the wilderness a lodging place …
and I will leave my people, and depart from them?
(ix, 2; Heb. text, ix, 1). It
is not improbable that the mourning prophet of Anathoth was the author of many
of the Psalms that are full of bitter reproach.
After the destruction of Jerusalem, Jeremias was not carried away into the Babylonian exile. He remained behind in Chanaan, in the wasted vineyard of Jahweh, that he might continue his prophetic office. It was indeed a life of martyrdom among the dregs of the nation that had been left in the land. At a later date, he was dragged to Egypt by emigrating Jews (xi-xliv). According to a tradition first mentioned by Tertullian (Scorp., viii), Jeremias was stoned to death in Egypt by his own countrymen on account of his discourses threatening the coming punishment of God (cf. Heb., xi, 37), thus crowning with martyrdom a life of steadily increasing trials and sorrows. Jeremias would not have died as Jeremias had he not died a martyr. The Roman Martyrology assigns his name to 1 May. Posterity sought to atone for the sins his contemporaries had committed against him. Even during the Babylonian Captivity his prophecies seem to have been the favourite reading of the exiles (II Par., xxxvi, 21; I Esd., i, 1; Dan., ix, 2). In the later books compare Ecclus., xlix, 8 sq.; II Mach., ii, 1-8; xv. 12-16; Matt., xvi, 14.
IV. CHARACTERISTIC QUALITIES OF JEREMIAS
The delineation in II and III of the life and task of Jeremias has already made plain the peculiarity of his character. Jeremias is the prophet of mourning and of symbolical suffering. This distinguishes his personality from that of Isaias, the prophet of ecstasy and the Messianic future, of Ezechiel, the prophet of mystical (not typical) suffering, and of Daniel, the cosmopolitan revealer of apocalyptic visions of the Old Covenant. No prophet belonged so entirely to his age and his immediate surroundings, and no prophet was so seldom transported by the Spirit of God from a dreary present into a brighter future than the mourning prophet of Anathoth. Consequently, the life of no other prophet reflects the history of his times so vividly as the life of Jeremias reflects the time immediately preceding the Babylonian Captivity. A sombre, depressed spirit overshadows his life, just as a gloomy light overhangs the grotto of Jeremias in the northern part of Jerusalem. In Michelangelo's frescoes on the ceilings of the Sistine chapel there is a masterly delineation of Jeremias as the prophet of myrrh, perhaps the most expressive and eloquent figure among the prophets depicted by the great master. He is represented bent over like a tottering pillar of the temple, the head supported by the right hand, the disordered beard expressive of a time of intense sorrow, and the forehead scored with wrinkles, the entire exterior a contrast to the pure soul within. His eyes seem to see blood and ruins, and his lips appear to murmur a lament. The whole picture strikingly portrays a man who never in his life laughed, and who turned aside from scenes of joy, because the Spirit told him that soon the voice of mirth should be silenced (xvi, 8 sq.).
Equally characteristic and idiosyncratic is the literary style of Jeremias.
He does not use the classically elegant language of a Deutero-Isaias or an Amos,
nor does he possess the imagination shown in the symbolism and elaborate detail
of Ezechiel, neither does he follow the lofty thought of a Daniel in his
apocalyptic vision of the history of the world. The style of Jeremias is simple,
without ornament and but little polished. Jerome speaks of him as in verbis
simplex et facilis, in majestate sensuum profundissimus
(simple and easy in
words, most profound in majesty of thought). Jeremias often speaks in jerky,
disjointed sentences, as if grief and excitement of spirit had stifled his voice.
Nor did he follow strictly the laws of poetic rhythm in the use of the Kînah, or
elegiac, verse, which had, moreover, an anacoluthic measure of its own. Like
these anacoluthæ so are also the many, at times even monotonous, repetitions for
which he has been blamed, the only individual expressions of the mournful
feeling of his soul that are correct in style. Sorrow inclines to repetition, in
the manner of the prayers on the Mount of Olives. Just as grief in the East is
expressed in the neglect of the outward appearance, so the great representative
of elegiac verse of the Bible had neither time nor desire to adorn his thoughts
with a carefully chosen diction.
Jeremias also stands by himself among the prophets by his manner of carrying
on and developing the Messianic idea. He was far from attaining the fullness and
clearness of the Messianic gospel of the Book of Isaias; he does not contribute
as much as the Book of Daniel to the terminology of the gospel. Above all the
other great prophets, Jeremias was sent to his age, and only in very isolated
instances does he throw a prophetic light in verbal prophecy on the fullness of
time, as in his celebrated discourse of the Good Shepherd of the House of David
(xxiii, 1-5), or when he most beautifully, in chapters xxx-xxxiii, proclaims the
deliverance from the Babylonian Captivity as the type and pledge of the
Messianic deliverance. This lack of actual Messianic prophecies by Jeremias has
its compensation; for his entire life became a living personal prophecy of the
suffering Messias, a living illustration of the predictions of suffering made by
the other prophets. The suffering Lamb of God in the Book of Isaias (liii, 7)
becomes in Jeremias a human being: I was as a meek lamb, that is carried to be
a victim
(Jer., xi, 19). The other seers were Messianic prophets; Jeremias was
a Messianic prophecy embodied in flesh and blood. It is, therefore, fortunate
that the story of his life has been more exactly preserved than that of the
other prophets, because his life had a prophetic significance. The various
parallels between the life of Jeremias and of the Messias are known: both one
and the other had at the eleventh hour to proclaim the overthrow of Jerusalem
and its temple by the Babylonians or Romans; both wept over the city which
stoned the prophets and did not recognize what was for its peace; the love of
both was repaid with hatred and ingratitude. Jeremias deepened the conception of
the Messias in another regard. From the time the prophet of Anathoth, a man
beloved of God, was obliged to live a life of suffering in spite of his
guiltlessness and holiness from birth, Israel was no longer justified in judging
its Messias by a mechanical theory of retribution and doubting his sinlessness
and acceptableness to God because of his outward sorrows. Thus the life of
Jeremias, a life as bitter as myrrh, was gradually to accustom the eye of the
people to the suffering figure of Christ, and to make clear in advance the
bitterness of the Cross. Therefore it is with a profound right that the Offices
of the Passion in the Liturgy of the Church often use the language of Jeremias
in an applied sense.
V. THE BOOK OF THE PROPHECIES OF JEREMIAS
A. Analysis of Contents
The book in its present form has two main divisions: chapters i-xiv, discourses threatening punishment which are aimed directly against Juda and are intermingled with narratives of personal and national events, and chapters xlvi-li, discourses containing threats against nine heathen nations and intended to warn Juda indirectly against the polytheism and policy of these peoples.
In chapter i is related the calling of the prophet, in order to prove to his
suspicious countrymen that he was the ambassador of God. Not he himself had
assumed the office of prophet, but Jahweh had conferred it upon him
notwithstanding his reluctance. Chapters ii-vi contain rhetorical and weighty
complaints and threats of judgment on account of the nation's idolatry and
foreign policy. The very first speech in ii-iii may be said to present the
scheme of the Jeremianic discourse. Here also appears at once the conception of
Osee which is typical as well of Jeremias: Israel, the bride of the Lord, has
degraded herself into becoming the paramour of strange nations. Even the temple
and sacrifice (vii-x), without inward conversion on the part of the people,
cannot bring salvation; while other warnings are united like mosaics with the
main ones. The words of the covenant
in the Thorah recently found under Josias
contain threatenings of judgment; the enmity of the citizens of Anathoth against
the herald of this Thorah reveals the infatuation of the nation (xi-xii).
Jeremias is commanded to hide a linen girdle, a symbol of the priestly nation of
Sion, by the Euphrates and to let it rot there, to typify the downfall of the
nation in exile on the Euphrates (xiii). The same stern symbolism is expressed
later by the earthen bottle which is broken on the rocks before the Earthen Gate
(xix, 1-11). According to the custom of the prophets (III Kings, xi, 29-31; Is.,
viii, 1-4; Ezech. v, 1-12), his warnings are accompanied by forcible pantomimic
action. Prayers at the time of a great drought, statements which are of much
value for the understanding of the psychological condition of the prophet in his
spiritual struggles, follow (xiv-xv). The troubles of the times demand from the
prophet an unmarried and joyless life (xvi-xvii). The creator can treat those he
has created with the same supreme authority that the potter has over clay and
earthen vessels. Jeremias is ill-treated (xviii-xx). A condemnation of the
political and ecclesiastical leaders of the people and, in connection with this,
the promise of a better shepherd are uttered (xxi-xxiii). The vision of the two
baskets of figs is narrated in chapter xxiv. The repeated declaration (ceterum
censeo) that the land will become a desolation follows (xxv). Struggles with the
false prophets, who take wooden chains off the people and lead them instead with
iron ones, are detailed. Both in a letter to the exiles in Babylon, and by word
of mouth, Jeremias exhorts the captives to conform to the decrees of Jahweh
(xxvi-xxix). Compare with this letter the epistle of Jeremias
in Baruch, vi. A
prophecy of consolation and salvation in the style of a Deutero-Isaias,
concerning the return of God's favour to Israel and of the new, eternal covenant,
is then given (xxx-xxxiii). The chapters following are taken up largely with
narratives of the last days of the siege of Jerusalem and of the period after
the conquest with numerous biographical details concerning Jeremias (xxxiv-xlv).
B. Literary Criticism of the Book
Much light is thrown on the production and genuineness of the book by the
testimony of chapter xxxvi; Jeremias is directed to write down, either
personally or by his scribe Baruch, the discourses he had given up to the fourth
year of Joakim (604 B.C.). In order to strengthen the impression made by the
prophecies as a whole, the individual predictions are to be united into a book,
thereby preserving documentary proof of these discourses until the time in which
the disasters threatened in them should actually come to pass. This first
authentic recension of the prophecies forms the basis of the present Book of
Jeremias. According to a law of literary transmission to which the Biblical
books are also subject - habent sua fata libelli (books have their vicissitudes) -
the first transcript was enlarged by various insertions and additions from the
pen of Baruch or of a later prophet. The attempts of commentators to separate
these secondary and tertiary additions in different cases from the original
Jeremianic subject-matter have not always led to as convincing proof as in
chapter lii. This chapter should be regarded as an addition of the
post-Jeremianic period based on IV Kings, xxiv, 18-xxv, 30, on account of the
concluding statement of li: Thus far are the words of Jeremias.
Cautious
literary criticism is obliged to observe the principle of chronological
arrangement which is perceptible in the present composition of the book,
notwithstanding the additions: chapters i-vi belong apparently to the reign of
King Josias (cf. the date in iii, 6); vii-xx belong, at least largely, to the
reign of Joakim; xxi-xxxiii partly to the reign of Sedecias (cf. xxi, 1; xxvii,
1; xxviii, 1; xxxii, 1), although other portions are expressly assigned to the
reigns of other kings: xxxiv-xxxix to the period of the siege of Jerusalem;
xl-xlv to the period after the destruction of that city. Consequently, the
chronology must have been considered in the arrangement of the material. Modern
critical analysis of the book distinguishes between the portions narrated in the
first person, regarded as directly attributable to Jeremias, and those portions
which speak of Jeremias in the third person. According to Scholz, the book is
arranged in decades
, and each larger train of thought or series of speeches is
closed with a song or prayer. It is true that in the book parts classically
perfect and highly poetic in character are often suddenly followed by the most
commonplace prose, and matters given in the barest outline are not seldom
succeeded by prolix and monotonous details. After what has been said above
concerning elegiac verse, this difference in style can only be used with the
greatest caution as a criterion for literary criticism. In the same way,
investigation, of late very popular, as to whether a passage exhibits a
Jeremianic spirit or not, leads to vague subjective results. Since the discovery
(1904) of the Assuan texts, which strikingly confirm Jer., xliv, 1, has proved
that Aramaic, as the koine (common dialect) of the Jewish colony in Egypt, was
spoken as early as the fifth and sixth centuries B.C., the Aramaic expressions
in the Book of Jeremias can no longer be quoted as proof of a later origin of
such passages. Also, the agreement, verbal or conceptual, of texts in Jeremias
with earlier books, perhaps with Deuteronomy, is not in itself a conclusive
argument against the genuineness of these passages, for the prophet does not
claim absolute originality.
Notwithstanding the repetition of earlier passages in Jeremias, chapters l-li are fundamentally genuine, although their genuineness has been strongly doubted, because, in the series of discourses threatening punishment to the heathen nations, it is impossible that there should not be a prophecy against Babylon, then the most powerful representative of paganism. These chapters are, indeed, filled with the Deutero-Isaian spirit of consolation, somewhat after the manner of Is., xlvii, but they do not therefore, as a matter of course, lack genuineness, as the same spirit of consolation also inspires xxx-xxxiii.
C. Textual Conditions of the Book
The arrangement of the text in the Septuagint varies from that of the Hebrew text and the Vulgate; the discourses against the heathen nations, in the Hebrew text, xlvi-li, are, in the Septuagint, inserted after xxv, 13, and partly in different order. Great differences exist also as to the extent of the text of the Book of Jeremias. The text of the Hebrew and Latin Bibles is about one-eighth larger than that of the Septuagint. The question as to which text has preserved the original form cannot be answered according to the theory of Streane and Scholz, who declare at the outset that every addition of the Hebrew version is a later enlargement of the original text in the Septuagint. Just as little can the difficulty be settled by avowing, with Kaulen, an a priori preference for the Masoretic text. In most cases the Alexandrian translation has retained the better and original reading; consequently, in most cases the Hebrew text is glossed. In a book as much read as Jeremias the large number of glosses cannot appear strange. But in other cases the shorter recension of the Septuagint, amounting to about 100 words, which can be opposed to its large lacunæ, as compared with the Masorah, are sufficient proof that considerable liberty was taken in its preparation. Consequently, it was not made by an Aquila, and it received textual changes in the literary transmission. The dogmatic content of the discourses of Jeremias is not affected by these variations in the text.
VI. LAMENTATIONS
In the Greek and Latin Bibles there are five songs of lament bearing the name of Jeremias, which follow the Book of the Prophecy of Jeremias. In the Hebrew these are entitled Kinôth. from their elegiac character, or the 'Ekhah songs after the first word of the first, second, and fourth elegies; in Greek they are called Threnoi, in Latin they are known as Lamentationes.
A. Position and Genuineness of Lamentations
The superscription to Lamentations in the Septuagint and other versions
throws light on the historical occasion of their production and on the author:
And it came to pass, after Israel was carried into captivity, and Jerusalem was
desolate, that Jeremias the prophet sat weeping, and mourned with this
lamentation over Jerusalem, and with a sorrowful mind, sighing and moaning, he
said
. The inscription was not written by the author of Lamentations, one proof
of this being that it does not belong to the alphabetical form of the elegies.
It expresses, however, briefly, the tradition of ancient times which is also
confirmed both by the Targum and the Talmud. To a man like Jeremias, the day on
which Jerusalem became a heap of ruins was not only a day of national misfortune,
as was the day of the fall of Troy to the Trojan, or that of the destruction of
Carthage to the Carthaginian, it was also a day of religious inanition. For, in
a religious sense, Jerusalem had a peculiar importance in the history of
salvation, as the footstool of Jahweh and as the scene of the revelation of God
and of the Messias. Consequently, the grief of Jeremias was personal, not merely
a sympathetic emotion over the sorrow of others, for he had sought to prevent
the disaster by his labours as a prophet in the streets of the city. All the
fibres of his heart were bound up with Jerusalem; he was now himself crushed and
desolate. Thus Jeremias more than any other man was plainly called - it may be
said, driven by an inner force - to lament the ruined city as threnodist of the
great penitential period of the Old Covenant. He was already prepared by his
lament upon the death of King Josias (II Par., xxxv, 25) and by the elegiac
songs in the book of his prophecies (cf. xiii, 20-27, a lament over Jerusalem).
The lack of variety in the word-forms and in the construction of the sentences,
which, it is claimed, does not accord with the character of the style of
Jeremias, may be explained as a poetic peculiarity of this poetic book.
Descriptions such as those in i, 13-15, or iv, 10, seem to point to an eye
witness of the catastrophe, and the literary impression made by the whole
continually recalls Jeremias. To this conduce the elegiac tone of the
Lamentations, which is only occasionally interrupted by intermediate tones of
hope; the complaints against false prophets and against the striving after the
favour of foreign nations; the verbal agreements with the Book of Prophecy of
Jeremias; finally the predilection for closing a series of thoughts with a
prayer warm from the heart - cf. iii, 19-21, 64-66, and chapter v, which, like a
Miserere Psalm of Jeremias, forms a close to the five lamentations. The fact
that in the Hebrew Bible the Kinôth was removed, as a poetic work, from the
collection of prophetic books and placed among the Kethúhîm, or Hagiographa,
cannot be quoted as a decisive argument against its Jeremiac origin, as the
testimony of the Septuagint, the most important witness in the forum of Biblical
criticism, must in a hundred other cases correct the decision of the Masorah.
Moreover, the superscription of the Septuagint seems to presuppose a Hebrew
original.
B. Technical Form of the Poetry of Lamentations
(1) In the first four laments the Kînah measure is used in the construction of the lines. In this measure each line is divided into two unequal members having respectively three and two stresses, as for example in the introductory first three lines of the book.
(2) In all five elegies the construction of the verses follows an alphabetical arrangement. The first, second, fourth, and fifth laments are each composed of twenty-two verses, to correspond with the number of letters in the Hebrew alphabet; the third lament is made up of three times twenty-two verses. In the first, second, and fourth elegies each verse begins with a letter of the Hebrew alphabet, the letters following in order, as the first verse begins with Aleph, the second with Beth, etc.; in the third elegy every fourth verse begins with a letter of the alphabet in due order. Thus, with a few exceptions and changes (Pê, the seventeenth, precedes Ayin the sixteenth letter), the Hebrew alphabet is formed from the initial letters of the separate verses. How easily this alphabetical method can curb the spirit and logic of a poem is most clearly shown in the third lament, which, besides, had probably in the beginning the same structure as the others, a different initial letter to each of the original verses; it was not until later that a less careful writer developed each verse into three by means of ideas taken from Job and other writers.
(3) As to the structure of the strophe, it is certain that the principle
followed in some cases is the change of the person of the subject as speaker or
one addressed. The first elegy is divided into a lament over Sion in the third
person (verses 1-11), and a lament of Sion over itself (verses 12-22). In the
first strophe Sion is the object, in the second, a strophe of equal length, the
subject of the elegy. In 11c, according to the Septuagint, the third person
should be used. In the second elegy, also, the intention seems to be, with the
change of strophe, to change from the third person to the second, and from the
second to the first person. In verses 1-8 there are twenty-four members in the
third person; in 13-19 twenty-one in the second person, while in 20-22, a
strophe in the first person, the lament closes in a monologue. In the third
lament, as well, the speech of a single subject in the first person alternates
with the speech of several persons represented by we
and with colloquy; verses
40-47 are clearly distinguished by their subject we
from the preceding strophe,
in which the subject is one individual, and from the following strophe in the
first person singular in verses 48-54, while the verses 55-66 represent a
colloquy with Jahweh. The theory of the writer, that in the structure of Hebrew
poetry the alternation of persons and subjects is a fixed principle in forming
strophes, finds in Lamentations its strongest confirmation.
(4) In the structure of the five elegies regarded as a whole, Zenner has shown that they rise in a steady and exactly measured progression to a climax. In the first elegy there are two monologues from two different speakers. In the second elegy the monologue develops into an animated dialogue. In the third and fourth elegies the cry of lamentation is louder still, as more have joined in the lament, and the solitary voice has been replaced by a choir of voices. In the firth lament a third choir is added. Literary criticism finds in the dramatic construction of the book a strong argument for the literary unity of Lamentations.
C. Liturgical Use of Lamentations
The Lamentations have received a peculiar distinction in the Liturgy of the
Church in the Office of Passion Week. If Christ Himself designated His death as
the destruction of a temple, he spoke of the temple of his body
(John, ii,
19-21), then the Church surely has a right to pour out her grief over His death
in those Lamentations which were sung over the ruins of the temple destroyed by
the sins of the nation.
For a general introduction to Jeremias and Lamentations see the Biblical Introduction of CORNELY, VIGOUROUX, GIROT, DRIVER, CORNILL, STRACK. For special questions of introduction: CHEYNE, Jeremiah (1888); MARTZ, Der Prophet Jeremias von Anatot (1889); ERBT, Jeremia und seine Zeit (Göttingen, 1902); GILLIES, Jeremiah, the Man and His Message (London, 1907); RAMSAY, Studies in Jeremiah (London, 1907); WORKMAN, The Text of Jeremiah (Edinburgh, 1889); STREANE, The Double Text of Jeremiah (Cambridge, 1896); SCHOLZ, Der masoretische Text und die Septuagintaübersetzung des B. Jeremias (Ratisbon, 1875); FRANKL, Studien über die LXX und Peschito zu Jeremia (1873); NETELER, Gliederung der B. Jeremias (Münster, 1870). Commentaries on Jeremias issued in the last decades. - Catholic: SCHOLZ (Würzburg, 1880); TROCHON (Paris, 1883); KNABENBAUER (Paris, 1889); SCHNEEDORFER (Vienna, 1903). Protestant: PAYNE SMITH in the Speaker's Commentary (London, 1875); CHEYNE in SPENCE, Commentary (London, 1883-85); BALL (New York, 1890); GIESEBRECHT in NOWACK, Handkommentar (Göttingen, 1894); DUHM in MARTI, Kurzer Hand-Commentar (Tübingen and Leipzig, 1901); DOUGLAS (London, 1903); ORELLI (Munich, 1905). Commentaries on Lamentations: - Catholic: SEISSENBERGER (Ratisbon, 1872); TROCHON (Paris, 1878); SCHÖNFELDER (Munich, 1887); KNABENBAUER (Paris, 1891); MINOCCHI (Rome, 1897); SCHNEEDORFER (Vienna, 1903); ZENNER, Beiträge zur Erklärung der Klagelieder (Freiburg im Br., 1905). Protestant: RAABE (Leipzig, 1880); OETTLI (Nördlingen, 1889); LÖHR (Göttingen, 1891); IDEM in NOWACK, Handkommentar (Göttingen, 1893); BUDDE in MARTI Kurzer Hand-Commentar (Freiburg im Br., 1898). For monographs see the latest commentaries and the bibliographies in the Biblical periodicals.
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